Dangling Between The Real Thing And The Sign In The Window http://danglingbetween.com/ en Copyright 2007 Fri, 05 Jan 2007 13:43:23 -0500 http://www.sixapart.com/movabletype/?v=3.33 http://blogs.law.harvard.edu/tech/rss Heart as Arena, " Top 10 Art Things 2006", January 5, 2007 This installation reminded me of how much I hated that damn Peace Tower at the Biennial and the crushingly boring Thomas Hirschorn at Barbara Gladstone. Quite simply, this show delivered a body blow. Pun very much not intended. It affected me on a visceral level and it wouldn't let go.

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]]> http://danglingbetween.com/press/#005990 http://danglingbetween.com/press/#005990 Press Fri, 05 Jan 2007 13:43:23 -0500 MTAA-RR, "more 06 cya", December 31, 2006 In Dangling Between the Real Thing and the Sign in The Window, James and Barry curated a group of artists who I felt held the mirror to 06. It was funny, dystopic and experimental. I hope, in 07, they will do it again.

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]]> http://danglingbetween.com/press/#005991 http://danglingbetween.com/press/#005991 Press Sun, 31 Dec 2006 13:45:29 -0500 Heart as Arena, "Body Count", November 6, 2006 Link

]]> http://danglingbetween.com/press/#005908 http://danglingbetween.com/press/#005908 Press Mon, 06 Nov 2006 12:29:16 -0500 Tom Moody, November 4, 2006 Link

]]> http://danglingbetween.com/press/#005903 http://danglingbetween.com/press/#005903 Press Sun, 05 Nov 2006 22:24:23 -0500 tinsquo, "Dangling" at Dam, Stuhltrager, November 1, 2006 For years bloggers Barry Hoggard of bloggy and James Wagner of jameswagner.com have offered an invaluable, lively glimpse into their experience of the New York gallery scene and art community. This month at the request of Dam, Stuhltrager, they have taken an impressive inaugural turn at curating a group show of emerging (and as yet unrepresented) artists.

The show’s title “Dangling Between The Real Thing And The Sign In The Window” is derived from a 1973 address by the composer Morton Feldman and is reflective of the newly minted curators’ perception of a tension on display in today’s art world between substance and superficiality. The curators’ choices demonstrate that works of conceptual rigor and substance can be personal and lavishly beautiful with no diminishment of integrity.

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]]> http://danglingbetween.com/press/#005894 http://danglingbetween.com/press/#005894 Press Wed, 01 Nov 2006 17:40:04 -0500 Images

]]> http://danglingbetween.com/artists/jacques_louis_vidal/#005876 http://danglingbetween.com/artists/jacques_louis_vidal/#005876 Jacques Louis Vidal Sat, 21 Oct 2006 23:23:38 -0500 Documents and Links Resume

Statement

Videos on YouTube

]]> http://danglingbetween.com/artists/jacques_louis_vidal/#005875 http://danglingbetween.com/artists/jacques_louis_vidal/#005875 Jacques Louis Vidal Sat, 21 Oct 2006 23:21:27 -0500 Images

]]> http://danglingbetween.com/artists/joy_garnett/#005874 http://danglingbetween.com/artists/joy_garnett/#005874 Joy Garnett Sat, 21 Oct 2006 23:16:24 -0500 Documents Resume

Bio and description of work

]]> http://danglingbetween.com/artists/joy_garnett/#005873 http://danglingbetween.com/artists/joy_garnett/#005873 Joy Garnett Sat, 21 Oct 2006 23:12:48 -0500 Images

]]> http://danglingbetween.com/artists/nicolas_garait/#005872 http://danglingbetween.com/artists/nicolas_garait/#005872 Nicolas Garait Sat, 21 Oct 2006 22:58:16 -0500 Documents Resume

Statement

Artist's discussion of 28 Months

Discussion of 8mm format

]]> http://danglingbetween.com/artists/nicolas_garait/#005871 http://danglingbetween.com/artists/nicolas_garait/#005871 Nicolas Garait Sat, 21 Oct 2006 21:01:17 -0500 ArtInfo.com, "Poli See", September 7, 2006 Speaking of predictions, maybe it was the forecast that gallerists Edward Winkleman and Daniel Papkin recently gave to ArtInfo, or maybe it was the blaring media volume on the pending 9/11 anniversary, but when we joined the crowds in Chelsea, we were expecting to see a number of artists engaging with our charged political climate. And that did, indeed, prove to be the case at a few galleries. And, we’re happy to report, most of the work that could reasonably be read as carrying political overtones was well-crafted; there was little pat sloganeering going on (although there was some).

But while Chelsea had its fair share of political art, it was indefatigable gallery visitors who hit openings in Brooklyn on Friday who got to see an especially strong work that explicitly evoked the political climate. Susan C. Dessel’s installation, Our Backyard, A Cautionary Tale, in the sculpture garden at Dam, Stuhltrager, featured a series of white plastic body bags lined up on a patch of grass. To get from the back door of the gallery to the outdoor bar, visitors had to either navigate a narrow path or step over the body bags to reach the far side of the outdoor space. As the opening got crowded, it provided perhaps the most apt metaphor for why we may see more "political" art this fall—under contemporary circumstances, it’s simply unavoidable.

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]]> http://danglingbetween.com/press/#005867 http://danglingbetween.com/press/#005867 Press Sat, 21 Oct 2006 11:50:07 -0500 Images

]]> http://danglingbetween.com/artists/susan_c_dessel/#005866 http://danglingbetween.com/artists/susan_c_dessel/#005866 Susan C. Dessel Sat, 21 Oct 2006 11:40:33 -0500 Documents Resume

Process Notes

]]> http://danglingbetween.com/artists/susan_c_dessel/#005865 http://danglingbetween.com/artists/susan_c_dessel/#005865 Susan C. Dessel Fri, 20 Oct 2006 17:53:07 -0500 Images

]]> http://danglingbetween.com/artists/peter_corrie/#005864 http://danglingbetween.com/artists/peter_corrie/#005864 Peter Corrie Fri, 20 Oct 2006 01:49:05 -0500